It is also the first silent film I have reviewed on the blog thus far. The film begins with the Russian ship returning home through the Black Sea from the recent war with Japan. The crew inspect the meat to be used that day and stir the captains and officers to complain of its quality. Mutinous boiling rage fills the crew and they refuse to eat.
Poltavseva as Woman with pince-nez Lyrkean Makeon as the Masked Man Konstantin Feldman as Student agitator Beatrice Vitoldi as Woman with the baby carriage Production[ edit ] On the 20th anniversary of the first Russian revolutioncommemorative Commission of the Central Executive Committee decided to stage a number of performances dedicated to the revolutionary events of In addition, as part of the celebrations was suggested a "grand film shown in a special program, with an oratory introduction, musical solo and orchestral and a dramatic accompaniment based on a specially written text".
Russo-Japanese Warmassacre of the Armeniansrevolutionary events in St. PetersburgMoscow uprising. Filming was supposed to be conducted in a number of cities of the USSR.
Sergei began with filming in Leningrad and had time to shoot the railway strike episode, horsecarcity at night and the strike crackdown on Sadovaya Street. Further shooting was prevented by deteriorating weather with fog setting in.
At the same time the director faced tight time constraints: Objectively assessing the situation, Sergei Eisenstein decided to give up the original script, consisting of eight episodes, to focus only on one.
This was the uprising on the battleship "Potemkin"which in the all-encompassing scenario of Agadzhanova took up only a few pages 41 frames. Sergei Eisenstein together with Grigori Aleksandrov essentially recycled and extended the script. As a result, the content of the film was very far from the original script by Agadzhanova.
The film was shot in Odessa which at that time was one of the centers of film production and where it was possible to find a suitable warship for shooting. The first screening of the film took place on December 21, at a ceremonial meeting dedicated to the anniversary of the revolution in the Bolshoi Theatre.
Eisenstein under the artistic direction of Sergei Yutkevich. Inafter sale of the film's negatives to Germany and reediting by director Phil Jutzi"Battleship Potemkin" was released internationally in a different version from that originally intended.
The attempted execution of sailors was moved from the beginning to the end of the film. Later it was subjected to censorship and in the USSR some frames and intermediate titles were removed. The words of Leon Trotsky in the prologue were replaced with a quote from Lenin.
It is usually stated that the battleship "Twelve Apostles" was used instead, but this was a very different design of vessel from the Potemkin and the film footage matches the Battleship Rostislav more closely. The Rostislav had been scuttled in but the superstructure remained completely above the water until Interior scenes were filmed on the cruiser "Komintern".
This was handtinted red for frames by Eisenstein himself for the premiere at the Grand Theatre, which was greeted with thunderous applause by the Bolshevik audience. Eisenstein wrote the film as a revolutionary propaganda film,   but also used it to test his theories of montage.
In the manner of most propagandathe characterization is simple, so that the audience could clearly see with whom they should sympathize.
Eisenstein's experiment was a mixed success; he "was disappointed when Potemkin failed to attract masses of viewers",  but the film was also released in a number of international venues, where audiences responded positively.
In both the Soviet Union and overseas, the film shocked audiences, but not so much for its political statements as for its use of violence, which was considered graphic by the standards of the time. Eisenstein did not like the idea and wrote an indignant letter to Goebbels in which he stated that National Socialistic realism did not have either truth or realism.Written by Nina Agadzhanova and directed by Sergei M.
Eisenstein "The Battleship Potemkin" is about a mutiny aboard the Russian battleship during the height of the Russian Revolution of It is also the first silent film I have reviewed on the blog thus far.
This film is so infamous by this point that there is little. As one of the first films of the science fiction genre, "Le Voyage Dans la Lune" (or "A Trip to the Moon") is revered as the greatest achievement of stage magician and film pioneer Georges Méliès and one of the most important movies ever done.
Nov 09, · Battleship Potemkin, Sergei Eisenstein's dramatization of an event from the Russian Revolution, is one of the touchstones of cinema.
It caused a sensation when it was released in and remains one of the most influential films of the silent era. Battleship Potemkin – review. Published: Ronald Bergan witnesses the unveiling of the uncensored Battleship Potemkin at the Berlin film festival.
Published: Silent film ; Film Books Music. The banner image above is from Steven Spielberg's A.I. Artificial Intelligence. Beginning on this page is TSPDT's detailed look (in alphabetic order) at the 1, Greatest kaja-net.com film's current ranking and previous ranking (in brackets) is provided with each entry, along with cast lists, review quotes (with external links to full review), links to IMDB, Sight & Sound (BFI) and Amazon, and.
Critics Consensus: A technical masterpiece, Battleship Potemkin is Soviet cinema at its finest, and its montage editing techniques remain influential to this day.